An amazing R&B / Hip Hop artist emerged from Lafayette, Louisiana with the songs "Do Yo Thang" and "Check Yo Girl, Check Yo Guy". Around January 2007 a new song was released called "Cupid Shuffle" that was about to explode in clubs and on the radio. Cupid's ability to innovates R&B / Hip Hop with a twist of southern hospitality will bring his music to the top of the charts throughout the US.

2007 is now upon us and The 69 Eyes have released their Hollywood album, called simply 'Angels' and it's dripping blood and gasoline. The vision is Mad Max; the world is at the end of a nuclear war but the Helsinki Vampires are coming over the wasteland to save us, armed with blazing guns, tight leather pants and several cases of liquor. Once again produced by the Hiilesmaa/Lee Michaels combo, 'Angels' is the band's ninth studio recording and the flip-side of 'Devils' - the slutty rocker to the seductive sister.

The second single is "Never Say Die" - the video which includes a whole bunch of The 69 Eyes' Hollywood-inner-circle party people as well as mySpace's world famous sleaze queen Forbidden was also directed by Ralf Strathmann and filmed around L.A. in January 2007.

Abra Moore has released albums on record labels large and small, toured with the Lilith Fair, earned a Grammy nomination for her vocal performances, and placed tracks in movies, television shows, and best-selling video games. But for all her worldly success, it's the intimate connection that she's forged with her fans that stands as her greatest accomplishment. It's no wonder that her devoted fanbase treats each new release as a reason to rejoice. In her hometown of Austin, Abra Moore is a legend - and she's respected and celebrated everywhere singer-songwriter music is heard.

Daring production choices have often distinguished her recordings from those of other singer-songwriters, and that continues to be true with On The Way. An Abra Moore vocal can feel positively bewitching, and subtle use of reverb and echoing effects often amplifies the strange and beguiling quality of her recordings. On "Sugarite", a song of memory and longing, Moore sounds simultaneously heartbroken and detached, delivering each note with a near-unearthly precision. She begins her story over an acoustic guitar riff reminiscent of Suzanne Vega's early work - but by the end of the song, the drums and overdriven guitars have kicked in, and the track becomes a dizzy, swirling reverie. It's a bold, uncommon sound for a contemporary singer-songwriter, strongly suggesting Moore's roots in the uncompromising and globetrotting Poi Dog Pondering.

Acceptance is a band out of Seattle, Washington. They are made up of Jason Vena (Vocals), Christian McAlhaney (guitar and vocals), Kaylan Cloyd (guitar), Ryan Zwiefelhofer (bass), and Nick Radovanovic (drums). They were formed in 1998 by Jason, Kaylan, Chris DeCastro who played drums, and Peter. Chris and peter soon left the group and Ryan, Nick, and Christian joined on. They released "Lost for Words" in 2000, "Black Lines to Battlefields" in 2003 and "Phantoms" in 2005. They play alternative style music similar to the Foo Fighters. They haven't made any important performances, but played The Webster on Feb. 5th and are currently on tour. They were influenced by The Beatles, Metallica, Jimmy Eat World, and Counting Crows.

AC/DC are a hard rock band formed in Sydney, Australia in 1973 by brothers Angus and Malcolm Young. Although the band are considered pioneers of hard rock and heavy metal,[1][2] its members have always classified their music as "rock 'n' roll".[3] AC/DC underwent several line-up changes before releasing their first album, High Voltage, in 1975. Membership remained stable until bassist Cliff Williams replaced Mark Evans in 1977. In 1979, the band recorded their highly successful album Highway to Hell. Lead singer and co-songwriter Bon Scott died on February 19, 1980, after a night of heavy alcohol consumption. The group briefly considered disbanding, but soon ex-Geordie singer Brian Johnson was selected as Scott's replacement. Later that year, the band released their best selling album, Back in Black. The band's next album, For Those About to Rock We Salute You, was also highly successful and was their first album to reach number one in the United States. AC/DC declined in popularity soon after the departure of drummer Phil Rudd in 1983. Poor record sales continued until the release of The Razors Edge in 1990. Phil Rudd returned in 1994 and contributed to the band's 1995 album Ballbreaker. Stiff Upper Lip was released in 2000 and was well received by critics. A new album was announced in 2004 and is expected sometime in 2008. AC/DC have sold an estimated 150 million albums worldwide,[4][5] including 68 million albums in the US.[6] Back in Black has sold an estimated 42 million units worldwide[7] and 22 million in the US alone,[8] making it the 5th highest-selling album ever in the US. AC/DC ranked fourth on VH1's list of the "100 Greatest Artists of Hard Rock"[9] and the seventh "Greatest Heavy Metal Band Of All Time" by MTV.[10]

Aesop Rock (born Ian Matthias Bavitz on May 11, 1976) is an American hip hop artist. He was at the forefront of the new wave of underground acts that emerged during the late 1990s/early 2000s. He is signed to El-P's Definitive Jux label and is a current member of the Weathermen.

Everything that Air does is artful, and everything they record invites accompaniment, commentary, and reinterpretation. Thus, it's neither incongruous nor unexpected to see traditional ballet and contemporary dance coupled with their music. For the "Mer du Japon" clip, Air has called upon the talents of countryman Angelin Preljocaj - a man internationally recognized as one of the world's most imaginative choreographers, and a winner of the Prix Benois de la Dance for innovative dance. Preljocaj's ballet is simultaneously contemporary and classical, passionately expressive, drawing on reserves of mystery, grace, and strength. In short, his spirit is kindred to Godin's and Dunckel's, and he's a natural interlocutor for Air's sonic poetry.

The "Mer du Japon" clip is, in classic terms, a pas de deux: a duet performed by two dancers who, through motion and gesture, communicate to the viewer something vital about their relationship. Thanks to computer-video assistance, Air's two ballerinas - one European and the other Japanese - aren't confined to a stage; instead, they perform before a setting that resembles a gigantic aquarium. Air bubbles and sea serpents slide around them as they dance, and hovering in the background, as if seen in a dream, Godin and Dunckel are visible in profile. But the emphasis here is on the two women, and rightfully so - both Celine Galli and Nagisa Shinai have worked with Preljocaj before, and both execute that powerful sureness of motion that is so characteristic of his choreography. Their dance is sexualized from the start; exploratory, sinuous, revealing, hypnotic. When Shinai holds Galli's face and kisses her French partner, the film seems to freeze. But even as their lips meet, their bodies are still moving - their two bodies rise up to meet the sky, and the dance continues.